中文标题#
量子计算启发的绘画：重新诠释古典杰作
英文标题#
Quantum computing inspired paintings: reinterpreting classical masterpieces
中文摘要#
我们旨在应用一种量子计算技术来创作艺术作品。 主要想法是重新审视三幅不同风格和历史时期的绘画：米开朗基罗・梅里西（卡拉瓦乔）于 1597-1599 年左右创作的《纳西索斯》，勒内・马格利特于 1964 年创作的《人之子》以及格哈德・里希特于 1966 年创作的《192 种颜色》。 我们利用量子计算的输出来改变这些绘画的构图，从而形成一个名为 “量子变换 I、II、III” 的绘画系列。 特别是，将人物离散化为正方形晶格，并根据量子模拟的结果改变各部分的顺序。 我们考虑一个伊辛哈密顿量作为量子计算中的可观测量，其时间演化作为最终结果。 从经典主题到抽象形式，我们试图通过这三件艺术作品结合经典与量子的审美。 除了实验硬件运行和电路噪声外，我们的目标是将这些作品以物理油画的形式绘制在木板上。 通过这一过程，我们在经典与量子技术之间完成了一个完整的循环，并为在量子计算技术时代重新思考艺术实践做出贡献。
英文摘要#
We aim to apply a quantum computing technique to compose artworks. The main idea is to revisit three paintings of different styles and historical periods: ''Narciso'', painted circa 1597-1599 by Michelangelo Merisi (Caravaggio), ''Les fils de l'homme'', painted in 1964 by Rene Magritte and ''192 Farben'', painted in 1966 by Gerard Richter. We utilize the output of a quantum computation to change the composition in the paintings, leading to a paintings series titled ''Quantum Transformation I, II, III''. In particular, the figures are discretized into square lattices and the order of the pieces is changed according to the result of the quantum simulation. We consider an Ising Hamiltonian as the observable in the quantum computation and its time evolution as the final outcome. From a classical subject to abstract forms, we seek to combine classical and quantum aesthetics through these three art pieces. Besides experimenting with hardware runs and circuit noise, our goal is to reproduce these works as physical oil paintings on wooden panels. With this process, we complete a full circle between classical and quantum techniques and contribute to rethinking Art practice in the era of quantum computing technologies.
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