中文标题#
量子計算啟發的繪畫：重新詮釋古典傑作
英文标题#
Quantum computing inspired paintings: reinterpreting classical masterpieces
中文摘要#
我們旨在應用一種量子計算技術來創作藝術作品。 主要想法是重新審視三幅不同風格和歷史時期的繪畫：米開朗基羅・梅里西（卡拉瓦喬）於 1597-1599 年左右創作的《納西索斯》，勒內・馬格利特於 1964 年創作的《人之子》以及格哈德・里希特於 1966 年創作的《192 種顏色》。 我們利用量子計算的輸出來改變這些繪畫的構圖，從而形成一個名為 “量子變換 I、II、III” 的繪畫系列。 特別是，將人物離散化為正方形晶格，並根據量子模擬的結果改變各部分的順序。 我們考慮一個伊辛哈密頓量作為量子計算中的可觀測量，其時間演化作為最終結果。 從經典主題到抽象形式，我們試圖通過這三件藝術作品結合經典與量子的審美。 除了實驗硬體運行和電路噪聲外，我們的目標是將這些作品以物理油畫的形式繪製在木板上。 通過這一過程，我們在經典與量子技術之間完成了一個完整的循環，並為在量子計算技術時代重新思考藝術實踐做出貢獻。
英文摘要#
We aim to apply a quantum computing technique to compose artworks. The main idea is to revisit three paintings of different styles and historical periods: ''Narciso'', painted circa 1597-1599 by Michelangelo Merisi (Caravaggio), ''Les fils de l'homme'', painted in 1964 by Rene Magritte and ''192 Farben'', painted in 1966 by Gerard Richter. We utilize the output of a quantum computation to change the composition in the paintings, leading to a paintings series titled ''Quantum Transformation I, II, III''. In particular, the figures are discretized into square lattices and the order of the pieces is changed according to the result of the quantum simulation. We consider an Ising Hamiltonian as the observable in the quantum computation and its time evolution as the final outcome. From a classical subject to abstract forms, we seek to combine classical and quantum aesthetics through these three art pieces. Besides experimenting with hardware runs and circuit noise, our goal is to reproduce these works as physical oil paintings on wooden panels. With this process, we complete a full circle between classical and quantum techniques and contribute to rethinking Art practice in the era of quantum computing technologies.
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